Great Escape Review – Saturday


Saturday at The Great Escape is summed up largely by two things – fantastic music & queues! I had heard tales of the amount of queuing to be expected at the festival but on Thursday & Friday we somehow managed to avoid any apart from when foolishly attempting to get into Warpaint just 5 minutes before they started. Saturday more than made up for that though! (Although to be honest we weren’t helped by the text messaging service that kept sending us to places that were already 1 in 1 out, therefore making it the biggest annoyance of the whole weekend.) The music I did get to see, however, was well worth the wait.

A trip to Beyond Retro on Saturday revealed the festival’s best kept secret with the discovery that bands such as Tribes & Treetop Flyers had performed there on the previous two days. Luckily, we found it just in time to catch the fantastic To Kill A King who I had no idea were even playing over the course of the weekend! I suspect this is one of the smallest gigs they will play in quite a while, but that made no dent in their enthusiasm and a band who record their music live ensure that they will not disappoint when you get chance to see them. In spite of the strange location they were both professional and completely engrossing, fusing gorgeous harmonies with, at times, hauntingly melancholic lyrics.

The festival was concluded that evening at the Communion hosted night in Komedia’s Studio Bar. Rhob Cunningham provided Saturday’s discovery of the day with his beautifully rich tones and slightly awkward yet incredibly charming stage manner. There were times when he seemed almost embarrassed to receive such well deserved plaudits from the crowd, but he overcame this with surprisingly witty banter and music that that ensured every single member of the audience fell silent as soon as he began. He was followed onstage by Matthew & The Atlas, a folk band whose real selling point is the harmonies created when Matt Hegarty’s country twang & Lindsay West’s reserved tones effortlessly combine. Their own, elegant take on the folk genre is both appealing and unique amongst British artists.

They were followed by my personal highlight of the festival – Ben Howard. In the space of half an hour he managed to go from being an artist I quite liked to one whose music I just can’t get enough of. Even from first offering These Waters his performance was hypnotizing; I’ve never seen anyone play a guitar the way he did for that song, using every single inch to create an extraordinarily individual sound. Even more he performs with more vigour than any singer/songwriter I’ve ever seen, speeding up sections of his songs to ensure he had every single audience member enraptured by both his energy and incredible voice. He was also helped by his incredibly talented band, including a drummer who was managing to play bass guitar at the same time! Without question, this is someone you really need to see live if you get the chance!

The final act of the weekend was Marcus Foster, an artist who has enchanted me from the moment I heard his debut Shadows Of The City a few months ago. The passion that runs throughout his music transfers to his performance on stage, whether it’s a pounding, upbeat indie/rock sound as found in the aforementioned track or acoustic & stripped back. It’s a shame that more Ben Howard fans didn’t stick around to see his show but not once did that stop him making sure that those who did were rewarded for doing so.

My first Great Escape was a wholeheartedly enjoyable experience filled with some simply stunning performances and alluring discoveries, culminating in proof of why Communion, with their obvious passion for live music, is one of the most exciting labels in the UK. It is undoubtedly THE festival for anyone with a severe passion for music and will be marked on my calendar as an important adventure for next year as well.

Saturday’s Music

To Kill A King – “Fictional State” by To Kill A King

Ben Howard – These Waters by Folk Radio UK

I Will Remain (To The North EP) by Matthew and the Atlas

Great Escape Review – Friday


Friday was undoubtedly the busiest of the three days, helped largely by getting to Brighton in time to actually see those playing during the day! Having failed to get into Komedia’s Studio Bar to see Lucy Rose, we ended up downstairs instead; a good move that took us to Friday’s discovery of the day in the shape of pop-folk group The General. In spite of their apparent elusiveness, I can’t even seem to find a Facebook page, they were enjoyable to watch, especially when they pulled out a cover of It Don’t Mean A Thing and provided a fantastic prelude to Brother & Bones who, themselves, were one of the bands that really impressed me over the course of the weekend. Not only did I rather like the fact that they have two drummers (I don’t know why, just think it’s kind of cool!), their performance had so much energy, almost to the point of being frantic, that it was difficult not to find yourself pulled in to such an emphatic display and I have a feeling this is a band whose live show alone could take them far (I will also be reviewing their EP during the week so as a shameless plug make sure you keep an eye out for that!).

James Vincent McMorrow's Relentless Energy Street Gig

Friday also held the most unique Great Escape moment of the weekend in the form of James Vincent McMorrow‘s street gig at the Donut (not quite as strange as it sounds) on the seafront; somewhere I think he should make a concerted effort to perform more often! Sitting on the beach in glorious sunshine provided the perfect backdrop for his lush tones and beautifully acoustic offerings, creating an experience so far removed from the traditional mud & fields synonymous with British festival-going.

The evening’s festivities were delayed slightly thanks to Mr Harry Ramsden’s food taking longer than anticipated causing me to miss Jumping Ships, but the rest of the night made up for it. The Phoenix Foundation went a long way to proving that more bands should adopt the use of Glockenspiels and various other unrecognisable pieces of percussion as they backed their unfaltering harmonies with atmospheric music to evoke images of their native home of New Zealand. The day was concluded at The Latest Music Bar with Daughter, Tom Williams & The Boat & Twin Brother for a slice of Alternative Escape action. Daughter was just as mesmerising as was to be expected, with a voice that’s as enthralling live as it is recorded and her fascinating blend of delicate vocals and painful lyrics ensured that she didn’t disappoint, remaining one of my favourite artists of the moment. Tom Williams & The Boat were equally impressive with their own dark brand of “anti-folk” winning over old and new fans alike & a live show that should help cement them as one of the most exciting bands around standing out, as they do, from many of those bolstering out the current folk revival. Twin Brother‘s live set upstairs was slightly more reserved but proved why they made it to the final of this years Glastonbury Emerging Talent competition, especially with the anthemic melancholy coursing it’s way through Lungs. A busy and exciting day of music.

Friday’s Music

James Vincent McMorrow – If I Had A Boat by partisanpr

The Phoenix Foundation – Buffalo by The Drift Record Shop

Lungs by Twin Brother

Reading & Leeds Lock Up Stage Announced

Reading & Leeds Festivals have announced the line-up for the Lock Up Stage. Curated by Radio 1′s Mike Davis the stage will play host to some of the most promising Punk Rock bands 2011 has to offer.

Playing Saturday 27th August at Reading & Sunday 28th at Leeds are The Mighty Mighty Bosstones, King Blues, The Bronx, Capdown, Leftover Crack, Comeback Kid, Boysetsfire, Street Dogs, Teenage Bottlerocket, Title Fight & Sharks.

Taking to the stage on Sunday at Reading & Friday 26th at Leeds are Descendents, Flogging Molly, Face To Face, Hot Water Music, Bedouin Soundclash, Off!, The Black Pacific, The Mezingers, Your Demise, Spycatcher & Mouthwash.

For full line-up information & tickets see www.readingfestival.com or www.leedsfestival.com

30 Seconds To Mars, Beady Eye & Example Added to Belsonic 2011!

Belsonic have announced that this year’s festival will be headlined by Beady Eye & 30 Seconds To Mars. 30 Seconds To Mars will perform Tuesday 16th August, while Beady Eye will be joined by The Vaccines when they play on Saturday 20th. Example has also been confirmed to appear alongside Dizzee Rascal on the Wednesday night. The latest announcements join a line-up consisting of Elbow, The Specials, Primal Scream & Plan B as headliners with Katy B and Wretch 32 confirmed as support for one of Northern Ireland’s biggest outdoor music events.

For full line up information including dates & prices head over to the official website.

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