Top 10 Albums 2010

Listed below are what I consider to be the Top 10 albums of the past year. Some may surprise, some may be missing in your opinion but for, all 10 represent my own personal tastes and artists who achieved an outstanding level of musicality throughout their albums, which flow as one piece of work. So here you go:

10. Cee Lo Green – The Lady Killer

Number 10 on my list is an album that is has achieved huge mainstream success, while standing out as one of the best albums of the year. Often, some of the best albums are produced under the radar not gaining the credit they deserve, but Cee Lo Green’s infectious, happy soulful sound has allowed him not to be part of that group. Uplifting and charming, you get the feeling that this is an album truly reminiscent of the man singing the songs. Traces of Motown make the whole album accessible to so many different age groups and for that deserves to recognised as one of the top albums of 2010.

9. Vampire Weekend – Contra

In an industry currently flooded by dance, pop and urban music, Vampire Weekend proved that Indie music was both still cool and highly anticipated. There was a huge buzz surrounding the release of their album Contra and it certainly did not disappoint. Fantastically catchy, and allowing the band to undertake some major festival appearances, for those who bought the album the joyous sounds of songs such as Horchata and Holiday will have become the soundtrack for Summer 2010.

8. Lissie – Catching A Tiger

Another female singer-songwriter to come of age in 2010, Lissie produced a stunning album. She stands out from others because she sounds distinctive. The slightly country twang in her vocals help to define and shape her music, allowing you to lose yourself completely in the beauty of her voice and the lyrics she writes. Telling enchanting tales, whether through upbeat or slower songs, it is fantastic to here someone relying so much on an outstanding vocal performance to create such wonderful music.

7. Two Door Cinema Club – Tourist History

Two Door Cinema Club are one of those bands that started the year with a fair amount of critical interest, and have begun to build upon that in 2010. Producing geek chic with a cool electronic indie sound, that is infectious even upon first listen, they charm you instantly. Clever, accessible lyrics fuse seamlessly with the upbeat melodies that make you smile and tap your feet, all the way through Tourist History, and create a sound that as I discovered is the perfect way to enjoy a glorious Saturday morning at Glastonbury Festival.

6. Deftones – Diamond Eyes

Fusing metal screams and melodic vocals is not an easy thing to do, it could too easily sound like a mess. Deftones, however, proved that it was possible on their album Diamond Eyes. Many will decide the band is too heavy based on songs such as CMND/CTRL but one listen to title track Diamond Eyes may well change their minds. An outstanding juxtaposition of epic metal songs and surprisingly intoxicating ballads makes this without a doubt the best rock album of the year.

5. Twin Shadow – Forget

Number 5 is one that comes underneath the radar for many but is well worthy of a mention. Whether it is an uptempo (At My Heels) or slower relaxed (Forget) sound he produces, all of his songs hook you in and utterly entrance you. The gorgeous Castles In The Snow is my personal favourite, a delectable combination of haunting melodies and harmonic vocals. Forget is a real hidden gem and if you haven’t heard it yet is definitely deserves a listen.

4. Ellie Goulding – Lights

There is no denying that 2010 was Ellie Goulding’s year. Voted as top of the Sound Of 2010 poll she had a lot to prove and did so with debut album Lights. Despite being a debut it is still producing songs worthy of radio airplay which appeal to the masses, and has just been given the accolade of a re-release for Christmas. To have so much success on the back of an album that relies not on theatrics but beautiful songs and a faultless voice is a fantastic feat in the current climate of music, making Lights such an achievement.

3. Plan B – The Defamation of Strickland Banks

What makes Plan B’s latest album so astonishing is that previous to this he had produced works of hardcore urban/rap. With The defamation Of Strickland Banks he produced a soulful tale of a man’s downfall, addressing issues of love, violence and religion in a way many artists are scared to. Every single song has a poignancy to it whether it be the soulful Welcome To Hell or more urban yet epic sound of Darkest Place To make that jump so spectacularly suggests that this is the work of an incredibly talented young man, and as such deserves to be on the list of the top 10 albums of the year.

2. Laura Marling – I Speak Because I Can

In a year when folk music came of age, Laura Marling proved just why it deserved to become a mainstream music genre. With her haunting melodies and gracious tones Marling transforms you into her world with every single story she tells. Whether it is heart-warming, Alpha Shallows or heart-breaking, Hope In The Water you want to listen to every single word of it and this is true of every song on her album I Speak Because I Can. Gracious and enthralling this is the work of a truly talented musician.

1. Hurts – Happiness

I have made no secret of how much I adore this band. With styling reminiscent of Spandau Ballet, and CD cover layout similar to Bowie’s this is a band whose music would have been at home in and lost in the 80s, but in today’s market it stood head and shoulders above most pop music makers out there. With hopeful yet painful songs such as Stay and others whose upbeat tempo belie their melancholy, such as Sunday, Happiness is a genuinely well crafted and utterly enjoyable album from start to finish. The whole album was catchy, accessible and beautifully crafted. What made it even more spectacular is that this is a debut, which considering how assured of their sound and style they are is phenomonal.

Introducing… Daughter

I know this means two Introducing posts in a row, but honestly Daughter aka Elena Tonra, is worth it. Despite the fact that she has only just released a demo it is easy to see her talent shine through and, having just announced that she will be part of HMV’s Next Big Thing festival next year, hopefully everything bodes well for 2011 bringing success to this incredibly talented young lady. The song below Peter, is a stunning introduction to a beautiful voice that will leave you lost for words. It is achingly and tragically enchanting, which is a perfect way of describing the rest of the four-song demo she has produced (available HERE) Your Kisses tells a tale of lost love, while Run is more uptempo singing of running from danger, fleeing with a loved one. In each and every song she has produced a captivating story that it is impossible to not feel drawn into thanks to the way her delicate voice makes every word and emotion feel utterly sincere. What she has managed to exemplify is just how phenomonal music can sound when stripped back to the bare bones of an acoustic guitar and a voice. This undercurrent of music relying on simplicity to be hard-hitting is a running theme at the moment both within music as a whole, and this blog in all honesty! However, Daughter makes it look easy with such charm that she has the ability to stand above other artists within her genre.

So sit back and enjoy, I promise it is a worthwhile experience for the beauty of Daughter’s music.

Don’t forget you can download the demo, or find her on Facebook to provide some well deserved support.

Introducing… Boy & Bear

This year, like many other people, I have been converted to the wonderful world of folk music. Acts such as Mumford & Sons and Laura Marling have taken this genre to the mainstream and proved it to be both an accessible and enjoyable form of music. Perhaps, with the door having been opened, this is why I have found myself so entranced by Australian folk newcomers Boy & Bear. If you want proof of their credentials, then you need look no further than the previously mentioned, #1 on NME’s cool list 2010, Laura Marling, with whom the band toured the UK this year.

Boy & Bear carry all the important elements needed to make their music folk, retaining the organic sound that has allowed the style to appeal to so many over the past 18 months. However, there seems to be slightly more of a nod to the commercial. While there are the obvious comparisons to be made to Mumford & Sons when analysing the sound of the band, the naming, on their part, of Arcade Fire as an influence is more interesting and telling to consider. Yes, this is obviously folk music, but the subtle anthemic nature of Mexican Mavis hints at ambitions to transcend a bridge between the two artists. The stand out instrument of the song? The banjo! Once a comedic tool, here it is captivating helping to exemplify how far folk music has come this year and hopefully this can only bode well for Boy & Bear whose earthy lyrics and professional sound should ensure they have the ability to sustain a wide appeal to the British Public who have welcomed the unadulterated nature of folk with open arms. The other beauty of the song is the way it builds, constantly growing and intensifying, before ending on the quiet, infectious and haunting tones of lead vocalist Dave Hosking.

So immerse yourself in their world, close your eyes and allow yourself to enjoy every morsel that this band has to offer.

Daley – Rainy Days

Today the BBC released it’s long list for the Sound Of 2011, its annual poll of leading taste makers who pinpoint which artists they believe will hit the bigtime during the next 12 months. Already, I have voiced my support for The Vaccines and James Blake, but today, following the publication of the list, I present to you one of the artists on the list that is new to me.

Daley is a singer-songwriter from Manchester with a voice so soulful it could melt the hardest of hearts. His music has echoes of classic Motown, a sound so rarely found in mainstream music at the moment, and the beauty of it is evident in my personal favourite from his BBC Introducing set, Rainy Days. The set exemplifies how seamlessly every aspect of his music blends together. The fact that there is no overriding instrumental sound, other than the vocals, arguably makes this music in its purest form. It is the total control over his voice, that allows Daley to create such enticing music, to paint a mental image for his audience of the rain beating down as he pines for a lost love. There is no over-complication of the premise, or the sound. It is melancholic while smooth, beautiful while painful, and a perfect introduction to someone who will hopefully go on to have a 2011 worthy of such an outstanding talent. Daley’s inclusion in the Sound of 2011 longlist is a step towards this and I hope that when the final results are published in January, he makes it into the top 5, because a voice of this calibre deserves to be heard.

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