Introducing…Katzenjammer


It’s rare to stumble across a band that successfully avoid comparisons in an era when album oriented rock is more difficult to find than eclecticism. As such this Norwegian four piece are a beautiful anomaly.

In fact, their music is so atypical they’ve managed to remain firmly under the aural radar for most music loving Brits, meaning their third album, A Kiss Before You Go (arriving May 7th), is the first many on these islands will have heard from the group. Hence us taking the time to introduce the players.

Anne Marit Bergheim, Marianne Sveen, Solveig Heilo and Turid Jørgensen make up Katzenjammer, the band in question. The new LP opens with the title song, which sounds like some Russian folk chorus, all sombre and sincere (complete with accordions), before exploding into the upbeat I Will Dance (When I Walk Away), a track apparently similarly inspired by traditionalism, though more in tune with a jig.

So far so folky then, but skip forward two places on the disc for the far heavier, sexier and unarguably searing Land of Confusion, which shares something in common with Parisian jazz performed by Cold War Kids, if such a thing ever existed. Meanwhile, grand finale God’s Great Dust Storm could be Kate Bush signing a gospel. Suffice to say, their work is utterly unique.

On top of the new record a single – Rock Paper Scissors>/i> – taken from the album will be released on the same day. Katzenjammer also just captivated a crowd at London’s Scala, a date preceding several more across the UK in May. Beginning at Bristol Academy 2 (18th), the band take in Manchester Academy 3 (19th), Glasgow King Tuts (19th), Birmingham Academy 2 (20th), Brighton Concorde 2 (22nd), and finally London XOYO (23rd). Needless to say then, miss them and miss out.

Benjamin Francis Leftwich – Ticket To Ride (Free Download)


Anyone who heard Benjamin Francis Leftwich‘s recent live lounge will know that when he understands that a cover of a song works best when it’s a unique interpretation and he has yet again demonstrated this by producing a version of The Beatles’ Ticket To Ride. Let’s be honest, doing justice to a Beatles classic is a lot more difficult than David Guetta’s Titanium, especially when they are murdered all too often (usually by X Factor contestants), but luckily BFL has succeeded where so many others have failed. If you find yourself already as a fan you will be unsurprised to hear that the defining hook for this song is Leftwich’s silky smooth, lullaby vocals which ensure that every single one of McCartney & Lennon’s lyrics retain their magic. And the best thing of all about this track is it’s completely free.

Go See…Ian Siegal


Like every other genre of music the blues has developed significantly since its inception. One trait will always be prominent within the canon though- the need for heartfelt sincerity.

It’s the difference between those that can successfully bleed onto their guitar strings, and the people who can only hope to muster a feeble whine. In Ian Siegal’s case there’s little to deny the fact the award winning singer songwriter is as authentic as they come.

Which is part of the reason he’s the first UK musician to be nominated for Contemporary Blues Album of the Year at the Blues Music Awards 2012. That’s no mean feat in a global scene still dominated by N’awleans and the sounds of ‘the Delta’. But then the perseverance required for such an achievement is indicative of the man responsible.

A child of the seventies, Siegal dropped out of art-college towards the end of the following decade, and headed out to a Berlin in upheaval with the intention of busking. From here he returned to his homeland, began tirelessly gigging on the Nottingham circuit, and eventually progressed to dates across the UK, and then Europe, where he now shares main stages with the likes of Jamie Cullum and Joss Stone.

His last album, The Skinny, is arguably his finest yet, and thankfully there’s the opportunity to catch tracks from this, and the rest of his oeuvre, when he tours Britain this month. Shows will take place in Sheffield, Newcastle, York, London, Derby and Bury, amongst other towns and cities across the country, all of which will be well worth grabbing a ticket for. Full details below.

Ian Siegal UK Dates
14 Mar
LINCOLN Terry O’Toole Theatre
15 Mar
SHEFFIELD The Plug
17 Mar
NEWCASTLE The Cluny
18 Mar
NEWCASTLE The Cluny (matinee)
19 Mar
YORK Fibbers
20 Mar
MARYPORT Golden Lion
21 Mar
BILSTON Robin2
27 Mar
HIGH WYCOMBE Arts Centre
28 Mar
COLCHESTER Arts Centre
29 Mar
LONDON The Borderline
30 Mar
DERBY Flowerpot
31 Mar
BURY The Met

01 AprSCARBOROUGH Blues Festival

This post was written by Tim Osbourne.

Bravestation – Signs Of The Civilized


Toronto quartet Bravestation have put their new song Signs Of The Civilized up on Bandcamp as a free download and, in all honesty, it’s not often that free music is quite this good. What particularly struck me about this track was Devin Wilson’s vocals which at times sounds like it has come straight from the 80s, and at others is so beautifully melodic it becomes almost haunting. Add into the mix the multi-faceted and atmospheric music the band have created to accompany his voice and the result is close to musical perfection that is unerringly addictive. Certainly worth making the most of while it’s available.

Go See…Memoryhouse


Guelph, Southwest Ontario. Known as the ‘Royal City’, this town of 120,000 people is perhaps the most fitting place on Earth in which to find Evan Abeele and Denis Nuvion.

For starters this locality is rated in the Top 10 places to live in Canada-which is saying something considering the overwhelming cleanliness and natural beauty of said nation. Secondly, the residents are thought to be amongst the most educated in the country, and its streets are the safest.

As for the two musicians, known together as Memoryhouse, they create a rich aural tapestry that references dream pop, ambient electronica, and progressive rock. Think Explosions In The Sky melded with The Cocteau Twins, This Mortal Coil, and Air. For want of a better summary, it’s the kind of soundtack destined for some emotive piece of celluloid, suggesting love, peace, happiness, and, above all else, a life void of stress.

And that makes perfect sense. Their debut album, The Slideshow Effect, just arrived, and has earned them some critical praise in the right places. The title itself is a reference to a camera trick wherein pictures appear ‘animated’ thanks to a series of zooms and pans, giving life to that which was still. Furthermore, Abeele and Nuvion began their partnership as a duo that matched the former’s music with the latter’s short films and photography.

Suffice to say then their suitability for cinema and visual media is not accidental. Even now Memoryhouse regularly accompany their arrangements with video work when performing live, so we should expect something similar when they touch down for a British tour in March. Dublin, Manchester, Bristol, and London are all on the agenda, any of which should be highly worthwhile checking out, so for further details head Sub Pop online, the label carrying their work;

http://www.subpop.com/artists/memoryhouse

This post was written by Tim Osbourne

Mafia Lights – Spiriting


In my opinion Luv Luv Luv records are one of the most exciting labels around at the moment, having already been responsible for releases from buzz bands such as Spector and Theme Park. So it is hardly surprising that their latest release to land in my inbox is also particularly good. Spiriting comes from Surrey trio Mafia Lights and is a piece of music that will undoubtedly divide opinion, but listen carefully and you’ll hear that not only is this unique, it’s also been thoughtfully crafted. Carefully layered over the sci-fi style backing track there is an undeniably catchy pop hook that will hopefully win over any finding themselves struggling to get their head around the rest of the track. I can’t deny this is a bit of a grower in that respect, but I guarantee that after a couple of listens you will find the chorus to be inescapably present in your head.

Introducing…Shinies


It’s been a while since I personally wrote an Introducing piece but luckily I have found a band that have prompted me to change that. Shinies are a 3 piece from Manchester who despite only forming in September 2011 already look to be incredibly promising. Having played their first live gigs at the beginning of the year and put their first home made demo online for the world to hear, they are now set to release double A Side Shola and Pillow Talk.

Sonically, this is what I call ‘Skins’ music. With lo-fi guitars, irresistibly catchy beats and lyrics that tell a broken love story, it’s the type of indie rock which has is likely to find itself receiving widespread attention due to the effortlessly “cool” sound of it. In this respect it is exactly the type of music which has become synonymous with said TV show, because while perfect for highlighting teenage angst it’s still perfectly accessible and relevant to older generations as well. It’s hardly surprising, then, that the aforementioned home made song Spent Youth has already received over 3,000 plays on Soundcloud, generating a wealth of attention most bands as youthful as them could only dream of. It certainly indicates what should be a very promising future.

Rocketeer – Cupid


London quintet Rocketeer will release their new single Cupid this coming Monday, 27th February. When I featured the band’s track Leave Me last year I was struck by just how ‘British’ this band were, everything from their sound to their video and, in that respect this song is no different. In the video, especially, this shines through with the manor house setting and rather striking blazers but other parts of the song present a noticeable difference. It’s still just as catchy but the whole thing is a bit more subdued, and where before there was a sinister tone running throughout, this is a lot more accessible, largely due to the lyrics which reflect much more of a sense of realism. By no means is the song light-hearted but its focus is the story which is, at times, uncomfortable and strangely familiar (whether personally or by association) and which is delivered with such prowess it’s just as captivating as their previous offering.

Tom Williams and the Boat – My Bones


Last summer I found myself particularly enamored with Tom Williams and the Boat but since then have found myself not getting chance to spend the time listening to their music as I would like. When a timely reminder that their new single My Bones is released this coming Monday (27th February) it seemed like the perfect opportunity to point you in their direction. If you haven’t come across their stuff before then expect yourself to be confronted with an incredibly infectious beat and melodies and an arguably more rounded sound than they have produced up until now. Most notably, though, I guarantee you will be struck by Tom Williams’ vocals whose deep tones ensure that every song they create has an ominous overtone to it, a trait that has allowed the band to create a distinctive and definitive sound for themselves so that even after one listen you immediately recognise their music next time you hear it.

Theme Park – Two Hours


Last year I got quite excited by Wax by Theme Park as soon as I heard it, so it with great relish that I’m able to point you in the direction of their latest release, and the first on Transgressive Records, entitled Two Hours. I fully suspect that, like its predecessor, this is likely to find itself on the receiving end of a lot of love as their catchy electro-pop proves, to me at least, 100% irresistible. What makes it that much better as well is that lead-singer Miles Haughton’s vocals and lyrics are surprisingly emotive for a song of this particular genre enabling it to stand out from what is becoming a slightly crowded market. So listen and completely enjoy!


Two Hours will be released in April

Powered by ChoppedCode, PHPlist